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Sunset Exposure Tips
Sunset Exposures: Underexpose for More Drama

One of the things that I like about shooting sunsets (and I shoot a lot of them) is that you can tweak the drama scale just by changing the exposure a few stops. And because there is no right or wrong exposure for sunsets (or sunrises if you're one of those nutty morning people), you have a real wide latitude of what constitutes a "correct" exposure. In fact, with sunsets, the best exposure is the one that you like the most.

In many sunset situations (particularly where you have a foreground where you can to maintain some detail), the safest way to get an technically acceptable sunset exposure (one where you can see some foreground detail and also get good color in the sky) is to meter without the sun in the frame. Just point the lens away from the sun itself, use your camera's exposure-lock feature to hold that exposure and then refocus. You might find though that this somewhat middle-of-the-road safe exposure is too bland for your tastes. One way that you can heighten the drama is by taking your exposure reading from a brighter area of the sky; again you still don't want the sun itself, but if you expose for a brighter area, you'll get darker, more saturated colors.

In this shot, for example, I did take some shots with the lens pointing at the darker clouds in the upper right, but the sky was too washed out (because I was metering a dark area the camera tried to expose for a darker subject by adding exposure). But then I took some frames, including this one, where I metered for that bright area along the horizon. These exposures were about two-and-a-half stops less than the ones where I metered with the sky and it really enhanced the drama and changed the look of the photos.

Sunset Tutorial: Taking Better Sunsets

Sunset Photo Tutorial II:  Timing

Sunset Photos: Jeff Wignall Slide Show


photo of a sunset showing "god rays" of sunlight by Jeff Wignall
By metering from the brighter areas of sky, I caused the overall sunset to be underexposed. The darker clouds have a more ominous appearance, I think, and makes the sun's rays pop out even more. Photographed over Long Island Sound using a Nikon D90.
   
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