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More about creating the illusion of depth in landscape photographs.
More About the Depth Illusion
Shrinking Sizes

Using our common knowledge of object sizes is another great way to trick the brain into sensing distance. Since we all know approximately how big a person is, for example, if that person appears as a tiny dot on a beach, we assume there is a great amount of space between the lens and the subject. Similarly, by contrasting objects of known size--a large person near the camera and a tiny lighthouse in the distance--you are telling the viewer that there is space between the two. Everyone knows that the lighthouse is really much larger than the person.

You can also use shrinking sizes to imply distance by having objects of similar size stretching into the distance. When you're sitting in a line of cars waiting to pay the morning toll, the car at the far end of the line seems a lot smaller than the one directly in front of you. We know, of course, that all of the cars are roughly the same size and they're not really shrinking, but the distance makes them appear to be getting smaller.


Photo of tractors in a Vermont field by Jeff Wignall
Shrinking sizes are another way to convey depth. Your brain knows these tractors aren't getting physically smaller, but it still perceives their apparently diminishing size as distance.

Photo of trees at Chateau Chenonceau in the Loire Valley, France by Jeff Wignall.
Because the trees on this dirt road on the grounds of Chateau Chenonceau in France appear to be getting smaller as they recede, the brain perceives this as distance.
Upward Dislocation

Whenever a particular subject is higher in the frame than a nearby one, it appears to us to be farther away. That's just another trick of our vision system that automatically assumes that things higher in the frame are closer to the horizon and, therefore, farther away. You can exploit this cue easily in a landscape by simply placing one object--such as the sailboat in my shot here--very high in the frame.

Another way to do this, of course, is to aim the lens down to include more foreground space in the frame. By emphasizing the foreground in a beach scene, for example, you create the impression that the beach is very long and the distance to the horizon even greater.

Using Depth

Not all landscapes require a sense of distance to be more dramatic or more realistic. But whenever the perception of distance is important in a landscape, knowing which cues are available and how to exploit them is a very useful tool.

Photo of an Iowa farm road by photographer Jeff Wignall.
A combination of at least three factors in this Iowa farm landscape help create the illusion of distance. Can you name two of them? Click on the image for the answer!
Back to the beginning of the depth illusion tutorial.

   


Night photo of Ferris Wheel by Jeff Wignall
Night Exposure Explained
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